Japanese Folklore : Kappa
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Anubis ( /əˈnuːbəs/ or /əˈnjuːbəs/; Ancient Greek: Ἄνουβις) is the Greek name for a jackal-headed god associated with mummification and the afterlife in ancient Egyptian religion. He is the son of Nephthys and Set according to the Egyptian mythology. According to the Akkadian transcription in the Amarna letters, Anubis' name was vocalized in Egyptian as Anapa. The oldest known mention of Anubis is in the Old Kingdom pyramid texts, where he is associated with the burial of the pharaoh. At this time, Anubis was the most important god of the dead but he was replaced during the Middle Kingdom by Osiris.
He takes names in connection with his funerary role, such as He who is upon his mountain, which underscores his importance as a protector of the deceased and their tombs, and the title He who is in the place of embalming, associating him with the process of mummification. Like many ancient Egyptian deities, Anubis assumes different roles in various contexts.
Anubis also attends the weighing scale in the Afterlife during the "Weighing Of The Heart".
Anubis' wife is a goddess called Anput. His daughter is the goddess Kebechet.
A sphinx (Greek: Σφίγξ /sphinx, Bœotian: Φίξ /Phix) is a mythical creature with a lion's body and a human head or a cat head.
In Greek tradition, it has the haunches of a lion, the wings of a
great bird, and the face of a woman. She is mythicised as treacherous
and merciless. Those who cannot answer her riddle suffer a fate typical
in such mythological stories, as they are killed and eaten by this
ravenous monster. Unlike the Greek sphinx which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx).
In addition, the Egyptian sphinx was viewed as benevolent in contrast
to the malevolent Greek version and was thought of as a guardian often
flanking the entrances to temples.
In European decorative art, the sphinx enjoyed a major revival during the Renaissance.
Later, the sphinx image, something very similar to the original Ancient
Egyptian concept, was exported into many other cultures, albeit often
interpreted quite differently due to translations of descriptions of the
originals and the evolution of the concept in relation to other
cultural traditions.
Generally the role of sphinxes is associated with architectural
structures such as royal tombs or religious temples. The oldest known
sphinx was found near Gobekli Tepe at another site, Nevali Çori, or possibly 120 miles to the east at Kortik Tepe, Turkey and was dated to 9,500 BC.
Egyptian Sphinx
The sphinx is located in the north and below the pyramids. What names their builders gave to these statues is not known. At the Great Sphinx site, the inscription on a stele by Thutmose IV in 1400 BCE, lists the names of three aspects of the local sun deity of that period, Khepera–Rê–Atum. The inclusion of these figures in tomb and temple
complexes quickly became traditional and many pharaohs had their heads
carved atop the guardian statues for their tombs to show their close
relationship with the powerful solar deity, Sekhmet, a lioness. Other famous Egyptian sphinxes include one bearing the head of the pharaoh Hatshepsut, with her likeness carved in granite, which is now in the Metropolitan Museum of Art in New York, and the alabaster sphinx of Memphis, Memphis, Egypt, currently located within the open-air museum at that site. The theme was expanded to form great avenues
of guardian sphinxes lining the approaches to tombs and temples as well
as serving as details atop the posts of flights of stairs to very grand
complexes. Nine hundred with ram heads, representing Amon, were built in Thebes, where his cult was strongest.
Perhaps the first sphinx in Egypt was one depicting Queen Hetepheres II, of the fourth dynasty that lasted from 2723 to 2563 BC. She was one of the longest-lived members of the royal family of that dynasty.
The largest and most famous is the Great Sphinx of Giza, Arabic: أبو الهول, sited at the Giza Plateau on the west bank of the Nile River and facing due east.
It is also from the same dynasty. Although the date of its construction
is uncertain, the head of the Great Sphinx now is believed to be that
of the pharaoh Khafra.
The Great Sphinx has become an emblem of Egypt, frequently appearing on its stamps, coins, and official documents.
Greek Sphinx
From the Bronze Age, the Hellenes had trade and cultural contacts with Egypt. Before the time that Alexander the Great occupied Egypt, the Greek name, sphinx,
was already applied to these statues. The historians and geographers of
Greece wrote extensively about Egyptian culture. Heredotus called the
ram-headed sphinxes, criosphinges, and the hawk-headed ones, hieracosphinges.
The word sphinx comes from the Greek Σφίγξ, apparently from the verb σφίγγω (sphíngō), meaning "to squeeze", "to tighten up".
This name may be derived from the fact that the hunters for a pride of
lions are the lionesses, and kill their prey by strangulation, biting
the throat of prey and holding them down until they die. The word sphincter
derives from the same root. However, the historian Susan Wise Bauer
suggests that the word "sphinx" was instead, a Greek corruption of the
Egyptian name "shesepankh," which meant "living image," and referred
rather to the statue of the sphinx, which was carved out of
"living rock" (rock that was present at the construction site, not
harvested and brought from another location), than to the beast itself.
There was a single sphinx in Greek mythology, a unique demon of destruction and bad luck. According to Hesiod, she was a daughter of Orthus and either Echidna or the Chimera, or perhaps even Ceto; according to others, she was a daughter of Echidna and Typhon. All of these are chthonic figures from the earliest of Greek myths, before the Olympians ruled the Greek pantheon. The Sphinx is called Phix (Φίξ) by Hesiod in line 326 of the Theogony, the proper name for the Sphinx noted by Pierre Grimal's The Penguin Dictionary of Classical Mythology.
In Greek mythology, a sphinx is represented as a monster with a head of a woman, the body of a lioness, the wings of an eagle, and a serpent headed tail.
The sphinx was the emblem of the ancient city-state of Chios, and appeared on seals and the obverse side of coins from the 6th century BC until the 3rd century AD.
Athena appears in the middle of the upper-half of the middle of a
sarcophagus found in the middle pyramid of Giza, with two sphinxes at
her side.
In Greek mythology, the Nereids (/ˈnɪəriɪdz/ neer-ee-idz; Ancient Greek: Νηρηΐδες) are sea nymphs (distinct from the mermaid-like sirens), the fifty daughters of Nereus and Doris, sisters to Nerites. They often accompany Poseidon and can be friendly and helpful to sailors fighting perilous storms. They are particularly associated with the Aegean Sea, where they dwelt with their father in the depths within a silvery cave. The most notable of them are Thetis, wife of Peleus and mother of Achilles; Amphitrite, wife of Poseidon; and Galatea, love of the Cyclops Polyphemus.
In Iliad XVIII, when Thetis cries out in sympathy for the grief of Achilles for the slain Patroclus,
“ | There gathered round her every goddess, every Nereid that was in the deep salt sea. Glauce was there and Thaleia and Cymodoce; Nesaea, Speio, Thoe and ox-eyed Halie; Cymothoe, Actaee and Limnoreia; Melite, Iaera, Amphithoe and Agaue; Doto, Proto, Pherusa and Dynamene; Dexamene, Amphinome and Callianeira; Doris, Panope and far-sung Galatea; Nemertes, Apseudes and Callianassa. Clymene came too, with Ianeira, Ianassa, Maera, Oreithuia, Amatheia of the lovely locks, and other Nereids of the salt sea depths. The silvery cave was full of nymphs. | ” |